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by jenny boe
The
Catalogs Quiz! Answer ten quick questions and we'll rate your
catalog savvy.
A
Supposedly Fun Job I Never Took by emma taylor
It's
Not the Cold, It's the Catalogs by bernadette noll |
A new movement in escapist writing is
happening today, in a genre you may never have considered for its
literary value: the catalog. The best of them offer up a fantasy
life as potent as any novel — but this novel is interactive, because
you can get that life for yourself: Buy their stuff!
J. Peterman
is often recognized as the exemplar of this exciting literary form.
"Clearly, people want things that make their lives the way they wish
they were," its introduction states, and the pages that follow are
filled with those very things. With chapter titles like "My
orthopedist solos the pole," "Mr. Donleavy's Reminder" and "No, not
an angel," the reader anticipates an exotic, enthralling life. The
pages are filled with dreamily-told tales of the most extraordinary
people, both attractive and successful (the two go hand in hand in
the Peterman universe). They spend their days fending off polar
bears with toothpicks, making television appearances, and "toying
with what seemed to be an egg slicer of advanced Finnish design."
The writers of the J. Peterman catalog know, however, that what is
left to the imagination is a vital ingredient in a good fantasy.
They leave enough unsaid (and offer only illustrations, not
photographs, of the clothing) to suck in even the most stoic of
readers. A classic of the genre.
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L.L. Bean
takes an entirely different tack, sticking to straightforward
descriptions and pictures that conjure a wholesome, rugged, simple
way of life. This catalog eschews any kind of tale-spinning — about
as wild as it gets is: "Our classic north country blankets have been
tested and proven on the coldest Maine winter nights." However, this
is wholly in keeping with the no-nonsense L.L. Bean image, and while
not exactly gripping, the catalog has a certain literary integrity
that must be admired.
Land's End
heads in a slightly more inventive direction: While not entering
into Petermanesque imagery, the catalog does take a few steps beyond
simply detailing what you get. However, it appears the Land's End
catalog hasn't quite found its voice yet. The writing occasionally
veers into spiteful competitiveness ("And they're a far cry from all
the cheapo nylon warm-ups out there") or embarrassing self-praise
("Why have so many of our customers fallen for this nubbly Cobble
Cloth Crew?") The Land's End catalog is the work of an immature
writer: It shows promise, but needs to grow and mature into a more
well-rounded and confident work.
The Neiman
Marcus catalog is promisingly titled "The Book," with a price
tag to match ($10!). However, I was disappointed to find that it is
actually more like an everyday glossy fashion magazine. There is no
literary content to speak of, just the merest of descriptions in the
corner of artsy full-page photographs. We can see that it's a "Gucci
black calfskin belt with square nickel ‘G’ buckle" for $130; the
question of what it can do for us is left sadly unfulfilled. Alas,
this catalog clearly opts for style over substance.
The
Sharper Image catalog's forte is the creation of scenarios where
the moment is saved by just the right overpriced gadget. "There's
nothing like a fine cigar for riding out a tornado, hurricane,
cyclone, or monsoon. Of course, when the furniture starts to
levitate, a regular lighter is virtually useless. Fortunately, you
have the intrepid new Cyber lighter." The authors of this catalog
have thought of every eventuality, giving the reader the chance to
feel not only sophisticated and cultured but downright practical as
well. And it adds a whimsical touch with items like the $395 "Yoda,
the Jedi Master" statuette.
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Now, Victoria's Secret certainly knows a thing or
two about fantasy, in spite of its relatively straightforward text.
Instead of elaborate verbal scenarios, it uses the intriguing device
of showing the same models throughout the catalog (and in subsequent
issues) in varying ensembles and scenes. You can get to know them
and create your own stories, for unlike the successful, worldly
protagonists of J. Peterman, the women of Victoria's Secret don't
wear enough clothes to suggest a career. The underwear is only a
seductive introduction: Dress them up (or down) with any career and
wardrobe you please — maybe even your own! The female reader can
identify with certain characters, pick the ones she likes or
dislikes, and dream about achieving that airbrushed perfection in
real life (it's hard to avoid a little masochistic comparing when
poring over these pages). And while the catalog focuses on women's
merchandise, it clearly offers fun and fantasy for the male reader
too. When you've had your fill of all that, there are the classic
Victoria's Secret games, such as "Spot the Fake Ones," or "Spot the
Former Man." All in all, the Victoria's Secret catalog remains a
standard in escapism. (Frederick's of Hollywood, on the other hand,
has no literary value whatsoever, and is useful only if you're
interested in the art of come-hither attire.)
For a different kind of fantasy world, the reader
would be well-advised to open the Archie McPhee catalog. These
"Outfitters of Popular Culture" lead you through a world filled with
spark-spewing Godzillas, glow bone maracas, and Martian Popping
Things. Each item's description is a mini-vacation unto itself. From
childhood jokes ("Is your nose running? You'd better catch it!") to
self-evaluation ("Ask yourself, 'Am I a wimp?' If not, buy these")
to moral instruction ("The Fighting Nun is our most popular punching
puppet, and with good reason: she has a habit of fighting for what's
right"), this catalog is sure to perk up your spirits on one of
those days when life seems bleak.
The authors of these catalogs have stumbled onto a
truth about people. J. Peterman flirts with the concept of
empowerment, but understands that people want THINGS to make their
lives the way they wish they were — even though we probably know
that wearing "Thomas Jefferson's Shirt" is not going to magically
imbue us with leadership qualities. The savvy reader will realize
that one can escape from everyday reality by reading these
delightful works; actually purchasing the items within is fully
optional, and not likely to have any additional life-changing
benefit.
Jenny Boe grew up in Berkeley
and now lives in Seattle, where she writes, temps, and maintains a
Tripod homepage.
She has recently rediscovered the joys of the International House of
Pancakes.
© 1997 Tripod, Inc. All Rights Reserved.
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